Another Chicago Magazine

Please let us know the genre and status of the work. Thanks. 

Do you have a book, collection, or anthology forthcoming from an independent press? Send us an excerpt! We want to share sections from upcoming works in advance of their full release to drum up excitement about new indie books. We're seeking both poetry and prose.

Please include information about your upcoming book, the publisher, and expected release date in your cover letter. PLEASE, do not send the whole ms. Send us one or two stories or essays, or up to three poems--all as yet unpublished. *Please add the pub date to the title.*

We are looking for nonfiction in any form (essay, lists, diary entries, notes) that details the invasion of Ukraine. We seek the immediate and the personal, as exemplified as Sergey Gerasimov's March 5 segment from his "fast book of evidence." You're welcome to send drafts and queries. 

If you have a bit to spare.... We're all volunteers and every so often we use our own money to pay for odds and ends like postage to send a book to a review editor or copies of pieces to Best Americans.  You may think we're chutzpahdik to put out our virtual tip jar, since we ask you to pay a bit to submit in some categories. That helps cover our Submittable subscription. Otherwise we'd be drowning in envelopes, as in the old days. And we know how it's annoying to pay for what might turn out to be a rejection. Who told you to choose this life anyway? As Saroyan wrote:

Iowa said, “I just got in from Salinas. No work in the lettuce fields. Going north now, to Portland; …”

I wanted to tell him how it was with me: rejected story from Scribner’s, rejected essay from The Yale Review, no money for decent cigarettes, worn shoes, old shirts, but I was afraid to make something of my own troubles. A writer’s troubles are always boring, a bit unreal. People are apt to feel, Well, who asked you to write in the first place? A man must pretend not to be a writer. 

I said, “Good luck, north”… Fine boy, hope he isn’t dead, hope he hasn’t frozen, mighty cold these days.”

We publish art with each work of fiction, poetry, and nonfiction, and welcome all sorts of media. We also publish portfolios of an artist's work (including photographers). Please query with a link to your web site or attachments.

We welcome audio art and original music, experimental and independent film, poetry, fiction, nonfiction. Duration should be from about six to 10 minutes. Interviews may be longer. 

Potential contributors must:

· be the work’s original creator or an appropriate representative of it;

· vouch that ACM can present their work without breaching law or contracts pertinent to the work.

Baseline technical qualifications for submissions:

• Audio – mp3 file format, two-channel (stereo); 128      kbits/sec encoding
• Video – mp4 (H.264) file format, 1080p-HD with playback      anywhere from 24 to 30 frames/sec; two-channel (stereo) sound; minimum of      5 Mbits/sec encoding

The audio or video media itself should be submitted. URLs to YouTube, Vimeo or the like may not be considered, and URLs open to the full public may be less so.

Please query. We believe that the best interviews are done in person, to allow for liveliness and spontaneity. Second-best is via telephone or Skype. We appreciate your providing us, with your interview, a photo of the person, taken by you or the subject's PR empire. We appreciate it even more if the interview is timely; see Cara Suglich's interview with George Saunders about his winning of the Booker Prize. When you query, please let us know your relationship, if any, to the subject. Yes, you can submit your work here and elsewhere simultaneously, but please let us know as soon as possible if your work has been accepted for publication. 

We publish reviews and review-essays of books that are free of jargon and are of interest to curious generalists (not academic specialists). We encourage creativity in reviews. They can be in almost any format: list, personal essay, collage, etc. If you'd like to review for us, please use this form to tell us what genres you prefer. If you have a specific book in mind, please let us know of your relationship, if any, to the author. Just about all of the books we review are published by small presses. We rarely review books published by large commercial presses. This portal is for poetry reviews and queries. For prose, please go to the prose review portal.  Yes, you can submit your work here and elsewhere simultaneously, but please let us know as soon as possible if your work has been accepted for publication. PUBLISHERS AND AUTHORS: You can submit queries about your new/forthcoming books, describing them and asking if we'd like a copy/ARC.

We publish reviews and review-essays of books that are of interest to curious generalists (not academic specialists): fiction, poetry, creative nonfiction, history, politics, sociology, art, biography, and more. We also publish reviews of other arts. We encourage creativity in reviews. They can be in almost any format: list, personal essay, collage, etc. If you'd like to review for us, please use this form to tell us what genres you prefer. If you have a specific book in mind, please let us know of your relationship, if any, to the author. Just about all of the books we review are published by small presses. We rarely review books published by large commercial presses. This portal is for prose reviews and queries. For poetry, please go to the poetry review portal. Yes, you can submit your work here and elsewhere simultaneously, but please let us know as soon as possible if your work has been accepted for publication. PUBLISHERS AND AUTHORS: You can submit queries about your new/forthcoming books, describing them and asking if we'd like a copy/ARC.

We welcome translations of fiction, nonfiction, poetry, and drama  (including excerpts from novels or from full-length plays). Please submit the original text along with your translation. If we wish to publish the translation, we'll need  written permission from the writer.

If you're submitting a re-translation, please provide a note explaining why you think a new translation is warranted.

Yes, you can submit your work here and elsewhere simultaneously, but please let us know as soon as possible if your work has been accepted for publication. 

We need someone who will seek out and edit reviews of poetry books from small presses. This person does not need to write poetry but should, obviously, be interested in poetry. MOST IMPORTANTLY, we need someone who can edit. We are open when it comes to aesthetics of poetry. We also encourage creativity in the reviews or review-essays themselves. The position requires ongoing evaluation of submitted reviews, and regular correspondence with submitters, fellow editors, and ACM staff. Work can be done remotely, and the editor can make their own schedule of approximately 3-5 hours weekly. Ideal candidates will have an interest in poetry-- especially contemporary poetry by BIPOC, women, LGBTQ, and underrepresented writers. Editing experience is *required*. Teaching experience can be a substitute but you need the ability to edit. The application includes a short editing test. Please read our poetry reviews and tell us what you think, and send a cover letter and CV. 

This portal is here to receive REQUESTED revisions. Please do not send anything else this way. Thanks for your forbearance.

STOP now if you're thinking of sending something besides the above.