GENERAL SUBMISSION GUIDELINES:
We are open for submissions in poetry, fiction, nonfiction, translations, interviews, and reviews, and art. We charge a small fee for fiction, nonfiction, and poetry submissions to cover the cost of Submittable. We waive the fee for BIPOC writers as a small form of literary reparations. Thanks for thinking of ACM.
ACM is now online only. If you feel so moved, please "like" and follow ACM on Facebook and Twitter.
Yes, you can submit your work here and elsewhere simultaneously, but please let us know as soon as possible if your work has been accepted for publication.
As a rule, we don't re-publish work. Maybe once every few years we publish a piece that was published elsewhere.
Palestinian Voices: We are looking for poetry by Palestinian writers and artists, including people who are part of the Palestinian diaspora. We seek the immediate and the personal, the concrete and specific. Please feel free to send queries.
Another Chicago Magazine is seeking a new logo. We desire cohesion across our website, email communications, social media, website. While we include artwork with each piece, the magazine does not have a color palette or strong visual identity.
The designer whose logo is selected will receive the prize of a $100 bookshop.org gift card.
- The words “Another Chicago Magazine” should be prominent.
- We use “ACM” frequently, so the acronym should also be part of the logo.
- Our mission: We love work that is personal and political and shows that you can write beautifully and incisively about important subjects. That’s hard to portray, but a logo could include a schematic skyline of Chicago or map that shows the city or a symbol of the city.
- We’re independent of a university or other institution. We publish translations and a new feature, No Place is Foreign, so we’d like to indicate that we include the world. Our readers are also international.
- We publish two pieces weekly. That might be represented, too.
Current logos here: https://www.instagram.com/anotherchimag/ and here: https://twitter.com/anotherchimag (The moose goes with our advertising for the residency in Maine.)
Palestinian Voices: We are looking for creative work by Palestinian writers and artists, including people who are part of the Palestinian diaspora. We seek the immediate and the personal, the concrete and specific. Please feel free to send queries.
Palestinian Voices: We are looking for nonfiction work by Palestinian writers and artists, including people who are part of the Palestinian diaspora. We seek the immediate and the personal, the concrete and specific. Please feel free to send queries.
Palestinian Voices: We are looking for creative fiction work by Palestinian writers and artists, including people who are part of the Palestinian diaspora. We seek the immediate and the personal, the concrete and specific. Please feel free to send queries.
No Place is Foreign seeks stories, poems, and essays from writers around the world to highlight perspectives traditionally deemed foreign within US-centric writing. We seek to avoid travel narratives from outsiders to these regions. and instead to focus on the authentic voices and perspectives of insiders.
Please identify the genre for your submission in your cover letter.
In response to the Democratic National Convention in Chicago this year, ACM is asking for submissions that use the Democratic Party’s platform as a prompt. A party platform is a manifesto, a statement of ideals, and of reality created by law. In a republic, the people and their representatives hold the power. Ideally, community feedback is supposed to directly impact policy. In this moment where many folks feel either entirely removed from the political process or overwhelmed by it, we ask how our republic should work and who it is working for. How could a platform of the people differ from the party’s current offering?
In prose, we’re looking for work that is polemical but artful, or personal and political (and artful), whether it’s about one person’s abortion experience, or about how to end homelessness. We’re also looking for stories of activism and protest. We’re not looking for op-eds, but thoughtful analyses of power. Surprise us. We’re also open to erasure work. Please quote the relevant passage from the platform at the top of any of your work.
In response to the Democratic National Convention in Chicago this year, ACM is asking for submissions that use the Democratic Party’s platform as a prompt. A party platform is a manifesto, a statement of ideals, and of reality created by law. In a republic, the people and their representatives hold the power. Ideally, community feedback is supposed to directly impact policy. In this moment where many folks feel either entirely removed from the political process or overwhelmed by it, we ask how our republic should work and who it is working for. How could a platform of the people differ from the party’s current offering?
In A/V, we are interested in everything from experimental film and performance to new media art and sound sculpture that can bring the language of the Democratic platform down to the street level. What can "healing the soul of America" actually mean in individuals' lives? How do we approach the restoration and strengthening of democracy without grappling with its current character? We welcome any work that utilizes A/V tools to closely examine the many issues laid out in the platform, no matter how directly. Interviews are also possible--surprising conversations with people who protested at the 1968 convention, for example. Think beyond the traditional talking heads. Think art.
In response to the Democratic National Convention in Chicago this year, ACM is asking for submissions that use the Democratic Party’s platform as a prompt. A party platform is a manifesto, a statement of ideals, and of reality created by law. In a republic, the people and their representatives hold the power. Ideally, community feedback is supposed to directly impact policy. In this moment where many folks feel either entirely removed from the political process or overwhelmed by it, we ask how our republic should work and who it is working for. How could a platform of the people differ from the party’s current offering?
In prose, we’re looking for work that is polemical but artful, or personal and political (and artful), whether it’s about one person’s abortion experience, or about how to end homelessness. We’re also looking for stories of activism and protest. We’re not looking for op-eds, but thoughtful analyses of power. Surprise us. We’re also open to erasure work. Please quote the relevant passage from the platform at the top of any of your work.
In response to the Democratic National Convention in Chicago this year, ACM is asking for submissions that use the Democratic Party’s platform as a prompt. A party platform is a manifesto, a statement of ideals, and of reality created by law. In a republic, the people and their representatives hold the power. Ideally, community feedback is supposed to directly impact policy. In this moment where many folks feel either entirely removed from the political process or overwhelmed by it, we ask how our republic should work and who it is working for. How could a platform of the people differ from the party’s current offering?
In poetry we are especially interested in futurism, erasure, found poems, poems exploring grassroots politics and issues, poems using form to depict and critique the political process, and poems that consider how we’ve arrived at this present moment.
We seek original stories, diverse perspectives, and dynamic prose in stories that are preferably under 7,500 words.
Please submit no more than one story at a time.
In case of simultaneous submissions, let us know if your work is accepted elsewhere.
As a form of reparations, we are waiving the fee for BIPOC writers.
We seek original stories, diverse perspectives, and dynamic prose in stories that are preferably under 7,500 words.
Please submit no more than one story at a time.
In case of simultaneous submissions, let us know if your work is accepted elsewhere. We charge a small fee to cover our Submittable software.
As a form of reparations, we are waiving the fee for BIPOC writers. If this is you, please submit to Fiction--fee waived for BIPOC writers.
We seek memoir, reported essays, braided essays, collages, vignettes, extremely literary journalism, oral history, meditations. Short, long, medium. Political in the largest sense. Yes, you can submit your work here and elsewhere simultaneously, but please let us know as soon as possible if your work has been accepted for publication.
If you have a bit to spare.... We're all volunteers and every so often we use our own money to pay for odds and ends like postage to send a book to a review editor or copies of pieces to Best Americans. You may think we're chutzpahdik to put out our virtual tip jar, since we ask you to pay a bit to submit in some categories. That helps cover our Submittable subscription. Otherwise we'd be drowning in envelopes, as in the old days. And we know how it's annoying to pay for what might turn out to be a rejection. Who told you to choose this life anyway? As Saroyan wrote:
Iowa said, “I just got in from Salinas. No work in the lettuce fields. Going north now, to Portland; …”
I wanted to tell him how it was with me: rejected story from Scribner’s, rejected essay from The Yale Review, no money for decent cigarettes, worn shoes, old shirts, but I was afraid to make something of my own troubles. A writer’s troubles are always boring, a bit unreal. People are apt to feel, Well, who asked you to write in the first place? A man must pretend not to be a writer.
I said, “Good luck, north”… Fine boy, hope he isn’t dead, hope he hasn’t frozen, mighty cold these days.”
We publish art with each work of fiction, poetry, and nonfiction, and welcome all sorts of media. We also publish portfolios of an artist's work (including photographers). Please query with a link to your web site or attachments.
We welcome audio art and original music, experimental and independent film, poetry, fiction, nonfiction of any length.
Potential contributors must:
· be the work’s original creator or an appropriate representative of it;
· vouch that ACM can present their work without breaching law or contracts pertinent to the work.
Baseline technical qualifications for submissions:
- Audio – mp3 file format, two-channel (stereo); 128 kbits/sec encoding
- Video – mp4 (H.264) file format, 1080p-HD with playback anywhere from 24 to 30 frames/sec; two-channel (stereo) sound; minimum of 5 Mbits/sec encoding
The audio or video media itself should be submitted. URLs to YouTube, Vimeo or the like may not be considered, and URLs open to the full public may be less so.
We seek reviews of books published by small and university presses, because the Big Five or so have a relatively easier time getting their books noticed. We welcome reviews of fiction, poetry, and creative and other nonfiction that use a political/analytical lens to view self, others, and society. In lit reviews, we want to learn about the book's place in contemporary literature, where it stands in relation to trends, style and tradition. We welcome books that resist and books that question the status quo. And we’re especially interested in reviews of nonfiction trade books that address incarceration and liberation. As for style of review, we’re open to personal essay and experimental reviews, as well as traditional. If you would like to review a specific book, please let us know of your relationship, if any, to the author. Please note that we don't publish reviews by friends of the author or blurbers or blurbees of same.
We seek reviews of books published by small and university presses, because the Big Five or so have a relatively easier time getting their books noticed. We welcome reviews of fiction, poetry, and creative and other nonfiction that use a political/analytical lens to view self, others, and society. In lit reviews, we want to learn about the book's place in contemporary literature, where it stands in relation to trends, style and tradition. We welcome books that resist and books that question the status quo. And we’re especially interested in reviews of nonfiction trade books that address incarceration and liberation. As for style of review, we’re open to personal essay and experimental reviews, as well as traditional. If you would like to review a specific book, please let us know of your relationship, if any, to the author. Please note that we don't publish reviews by friends of the author or blurbers or blurbees of same.
We welcome translations of fiction, nonfiction, poetry, and drama (including excerpts from novels or from full-length plays). Please submit the original text along with your translation. If we wish to publish the translation, we'll need written permission from the writer.
If you're submitting a re-translation, please provide a note explaining why you think a new translation is warranted.
Yes, you can submit your work here and elsewhere simultaneously, but please let us know as soon as possible if your work has been accepted for publication.
This portal is here to receive REQUESTED revisions. Please do not send anything else this way. Thanks for your forbearance.
STOP now if you're thinking of sending something besides the above.